国际竞赛单元·评审团奖项
BEST FILM 最佳影片
March 8, 2020: A Memoir
2020年3月8日：回忆录
Fırat Yücel
如今数字监控设备已经成为了城市新的基础设施，塔克西姆广场的摄像头在这场抗议活动之后，或许也见证了疫情大爆发中的种种治理手段。这部恰逢其时的桌上电影作品，使用了与监控技术同类的终端界面作为影像结构，这恰恰为观众提供了这样一种政治观察与介入的方式：就是如何在公共空间治理的缝隙中，寻找出异质性的艺术路径并给予某种性质的内部瓦解，同时，让这些看似中立的监控影像获得了真正意义上的解放。- 石青
In the contemporary landscape, digital monitoring apparatuses have evolved into fundamental urban infrastructure. Following the protest activities, the cameras situated within Taksim Square may have borne witness to the array of governance techniques amid the outbreak of the pandemic. This timely cinematic endeavor, utilizing a terminal interface akin to surveillance technology as its visual framework, affords spectators a method of political observation and intervention. It adeptly examines the process of identifying heterogeneous artistic avenues within the interstices of public space governance, facilitating a certain manner of internal dissolution. Concurrently, it engenders a genuine emancipation of these ostensibly impartial surveillance depictions. - Shi Qing
الحديقة السريّة
The Secret Garden｜秘密花园
Nour Ouayda
这部影片分成八个连贯的章节，生动书写了秘密花园的植物入侵城市的奇幻寓言和探险故事。这些植物似乎是片中藏身花园的边缘异见者的隐喻。影片从窃窃私语的故事讲述开始，逐渐展示了秘密花园的植物的神秘的多样性和它们作为危险的密谋者的入侵策略。它们是无法被驯服的和难以分类标注和认知的。每个章节从图像的拍摄尝试上来说也同样面貌丰富，拥有一种植物的野生感。后面罗列各种植物特征的这一部分是回归现实的画龙点睛之笔。- 姚清妹
The film is structured into eight interconnected chapters, vividly depicting a fantastical allegory and adventure narrative of botanical invasion into urban spaces from a clandestine garden. These botanical entities serve as allegorical representations of dissenters residing on the fringes of the concealed garden portrayed in the film. Commencing with subtle whispers of intrigue, the storyline progressively unveils the enigmatic diversity of flora within the secret garden and their strategies as clandestine conspirators. They emerge as entities resistant to domestication, defying facile categorization and cognitive assimilation. Each chapter exhibits a visually opulent portrayal, reflecting the untamed essence of the botanical subjects. The subsequent delineation of various botanical traits serves as a poignant return to reality, offering a consummate embellishment to the narrative. - Yao Qingmei
En attendant les Robots
Human, not human｜人，非人
Natan Castay
这部作品讲诉了当代互联网环境下的经济关系和劳动力剥削，以及年轻人在此经济关系下生存的困境。在相对轻盈的纪录片外壳下，所讨论的问题其实是非常紧迫的，即人工劳动在人工智能高速发展的时代背景中价值是什么？影片为我们提供了一个丰富而多层次的讨论空间，通向忧伤和绝望的推论。- 雷磊
This piece elucidates upon the economic relationships and labor exploitation prevalent within the contemporary internet milieu, as well as the challenges faced by young individuals in navigating this economic framework. Beneath the veneer of a seemingly lightweight documentary lies a discourse on profoundly pressing matters, namely the value of human labor amidst the rapid development of artificial intelligence. The film presents us with a nuanced and multifaceted space for discussion, leading to conclusions imbued with melancholy and despondency. - Leilei
SPECIAL MENTION 评审特别提及
Du Bist So Wunderbar
Paradise Europe｜欧洲天堂
Leandro Goddinho, Paulo Menezes
这是一部引人发笑又令人难堪的影片。这部影片以发人警醒的现实主义风格呈现了一位面临困境的酷儿巴西艺术家在柏林寻找住房的经历，大胆辛辣，颇具个人特色和挑衅意味。导演用主人公的第一视角无情暴露了一个被各种复杂性交织下的赤裸真实。在一个看似多元的包容的柏林，形色各异的房东们作为权力上位者体现出令人窒息的一致性。这是在身份政治的多元环境中仍然无法摆脱的阶级困境。这部影片运用纪录片式拍摄手法，和主题非常切合，独树一帜。- 姚清妹
Compelling blend of humor and discomfort, the film adopts a style of sobering realism to depict the experiences of a beleaguered queer Brazilian artist navigating the housing market in Berlin. Bold, incisive, and provocatively individualistic, the film exposes the harsh realities intertwined with various complexities. Through the unflinching lens of the protagonist's perspective, the director lays bare a stark and unfiltered truth. Within Berlin's ostensibly diverse and inclusive facade, landlords from disparate backgrounds exhibit a suffocating uniformity in wielding power. The narrative delves into the enduring class struggles within the context of identity politics' purported pluralism. Employing a documentary-style approach, the film seamlessly aligns its cinematography with its thematic exploration, rendering it distinctly original. - Yao Qingmei
Blue, Woman, Dress｜蓝色 女子 裙子
Jinhyun Kim
这部作品探讨了暴力图像在媒体中的传播，让我们联想到安迪·沃霍尔的电椅。影片的画面又带来另一条线索，漫游和重访，为影片增添了某种间离感和诗意。- 雷磊
Exploring the dissemination of violent imagery in the media, evoking associations with Andy Warhol's Electric Chair. The film's visuals offer another thread, a wandering and revisiting, imbuing the narrative with a sense of detachment and poeticism. - Lei Lei
The Enlightenment｜启蒙
Stephanie Barber
这无疑是一部迷人的作品，经由艺术家进行个人化声音和视觉处理后的叙事，展现出一种微妙而轻快的节奏。在这个寓意暧昧的维多利亚式温室内，用一种戏谑方式启动启蒙这类政治哲学话题，显得野性而温暖，诗性光晕使作品获得了一种意外的感染力。- 石青
Undoubtedly, this constitutes a captivating piece of artistry, wherein the artist's personalized manipulation of sound and visuals orchestrates a narrative imbued with subtle yet sprightly cadences. Set within the metaphorically ambivalent confines of a Victorian-style greenhouse, the whimsical initiation of political and philosophical discourse assumes a playful demeanor, exuding both a wild and inviting ambiance. The poetic halo enveloping the work unexpectedly bestows upon it an infectious allure. - Shi Qing
国际竞赛单元·评审团奖项
Outstanding Art Exploration Award 杰出艺术探索
Yvuuhza Okaina｜平和奥凯纳
Ferney Iyokina Gittoma
影片以一种极具贴合感的视听系统深入至奥凯纳（Okaina）群落，手持摄影在低照度的光感下，以其特有的触觉感知紧贴族群的面庞和肢体，通过催眠式的讲述和呢喃的歌声，叠化交织的舞蹈仪式场景在黑暗中唤醒了一种遥远而私密的血脉联结。作为奥凯纳一员的Ferney在其电影行动中尝试用凝视和沉默建立一种直觉方法，并以此挑战着一种概括性的，从人种学脉络延伸而来的档案指向的人类学影像系统，使“存在”形成了一种雄辩式的反抗。- BISFF组委会
The film immerses itself deeply into the Okaina community through a remarkably fitting audiovisual system. Employing handheld cinematography in low-light conditions, it sensitively captures the nuances of the community's faces and bodies with a distinctive tactile perception. Through hypnotic narration and whispered songs, the film evokes a profound sense of ancestral connection, awakening within the darkened dance ritual scenes. As a member of the Okaina community, Ferney endeavors to establish an intuitive method through gaze and silence in his cinematic exploration. In doing so, he challenges the anthropological image system rooted in ethnographic contexts, thereby presenting "existence" as a form of eloquent resistance. - BISFF Organizing Committee