Produced between Japan and Bosnia-Herzegovina, this entrancing essay film contends with the essential questions of documentary cinema: representing an other with their own emotions and inner life, whether a family member or a person from another culture. Kaori Oda (ARAGANE) knits together unused personal footage from her experiences home in Japan and studies with Béla Tarr at his Film Factory in Sarajevo from 2013-2016. Becoming a masterclass in the art and ethics of filmmaking, the film powerfully engages questions of queer identity, cross-cultural communication, representing poverty and labor, and the power of the camera. A poetic wonder, effortlessly lifting up epiphanies coalesced in images of the everyday.