The project is built on home videos made between the 1960s and 1990s from ordinary families around East Asia, showing the power of "anti-spectacle" of the folk images that are full of anthropological/sociological messages: the excitement/discomfort about the ability to control the making of moving images for the first time; the (self-)invitations to perform; the half-staged, voyeuristic and unconscious recording of the family. The overlapping themes and similar occasions in the videos incur boredom, the filmmakers’ playful yet insightful conversation stitches the chaotic footage together and gives new life to a nostalgic form of cinema.